A number of young Danish architects have been awarded grants. And in 2007, 2008, 2012, 2015, and 2017, the Foundation has additionally organized international competitions in the fields of architectural photography, architectural drawing, writing about architecture, architecture and film, as well as architecture and music.
The objective of the non-profit, charitable Foundation is to support Danish architecture – through further training, traveling grants, exhibition activities, publication of architecture books, and development and implementation of information technology for architectural purposes. The Foundation awards grants in acknowledgement of architects who have developed significant buildings or demonstrated other achievements of high quality.
The Foundation is a natural extension of Henning Larsen’s personal interest in communicating and advancing architecture in parallel to his work as an architect and his professorship at the Royal Danish Academy of Fine Arts, School of Architecture. This interest is also reflected in his establishment of SKALA architecture gallery and SKALA architecture magazine in the eighties.
The Board consists of:
Troels Troelsen, architect (Chairman)
Kent Martinussen, architect, CEO, Danish Architecture Centre
Ingela Larsson, Architect
Simon Ingvartsen, Architect
Bente Scavenius, Mag.art.
Lone Backe, MA, BA in Art History
Niels Bang, Lawyer
The Henning Larsen Foundation is proud to announce the latest edition of its competition series this year an open international competition on the theme of Utopia in architecture. Previous competition editions have explored photographing architecture (2007), drawing architecture (2008), writing about architecture (2012), architecture and film (2015), and architecture and music (2017.)
The aim of the competition is to request ideas and images that can revitalize the utopia of architecture.
The background of the competition is Henning Larsen's work as a curious architect. He sought new untried paths in architecture and sought inspirations far and wide. It could be in anonymous design and architecture, in structures of the past, and in the latest advances in science, as described in the attached text by architect Troels Troelsen, longtime collaborator at the design studio and chairman of the foundation.
Ideas that, with artistic and poetic power, can inspire a new dimension and a new quality in architecture are sought. The task: Describe in sketches and few words a Utopia, a dream or mood with descents in spatial, architectural particulars. Contributions are to be made in drawing / photo or any pictorial technique including short illuminating texts in either Danish or English (submissions in other languages will not be considered.) Analyses and theses are not asked for.
Entries must be submitted anonymously as a JPG or PDF sheets, max. 4 landscape-format A3 pages or 1 landscape-format A1 poster. Texts included in the sheets are limited to 1500 characters in total. File size is limited to 10mb.
During the judging, a name sheet with name, address, e-mail and telephone number) of the author (s) shall be attached to the proposal in a folder with a randomised six-digit number. The anonymization process will be handled by the competition secretary and will be inaccessible to the jury during the judging process.
Previously published material will be rejected. Entries from relatives or partners to any of the jurors will not be accepted.
The jury is comprised of Henrik Oxvig (cand mag. et mag. Art), Jytte Rex (artist), Kathrin Susanna Gimmel (architect), Ben Clement and Sebastian de la Cour (benandsebastian artists) and Troels Troelsen (architect).
Entries can be uploaded from mid-February 2021 until 9th of April 2021 23:59 CET. The proposals will be subsequently exhibited at the Danish Architecture Center in BLOX- in Copenhagen.
The prize money of 14,000 Euros will be awarded to the best proposal or proposals, distributed at the discretion of the evaluation committee.
The Foundation reserves the right to display the proposals on the website one year after publication.
(lead image depicts Karl Friedrich Schinkel's stage set for the Magic Flute. Image via Wikimedia Commons.)
How to submit:
Please us the following naming convention to save your file HLFoundation_ArchitectureUtopia2021_YourFullName.pdf
Go to: https://filetransfer.henninglarsen.com/main.html
To log in:
Username: utopien
Password: compPASS2021
You will be directed to an upload site with a series of buttons along the top. Click the upward facing arrow in the center of the dashboard to enter your submission (please follow the submission requirements as outlined above.) Drag your item or upload it manually using the dialog box.
Note: you will not see your file placed in the server! This is normal.
Email architectureandutopia@henninglarsen.com for confirmation of successful submission. Please include ‘Confirmation’ in the subject heading and include your name, the file name of your submission, and the (rough) time of submission in your message and we will get back to you.
Troels Troelsen, Chairman of the Board of the Henning Larsen Foundation and jury chair, expounds on the notion of utopia in architecture.
How do we today maintain Architecture as an art not flooded with economic thinking, but developed through new ideas and experiments?
Oscar Wilde: “A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realization of Utopias. ”
Henning Larsen was a curious architect. He was eager and ambitious, though not always explicit what he striving for. He probably did not know. Had he known, the attraction and magic would be missed.
The exciting thing about working in his design studio was precisely this openness to the unknown. Henning let things unfold in their own way, and was willing to pursue skewed paths to keep the process open. To him, architecture was a magic seed whose secrets were to be unraveled. Even when we achieved something unique, he desired other possibilities. Henning's curiosity was reflected in his numerous initiatives, such as the SKALA Gallery and SKALA Magazine and, most recently, in the annual Henning Larsen's Foundation prize.
It was as if Henning was dreaming of a Utopia.
The escalating progress of our time, more than ever, challenges our understanding of the world. On one hand, advances of science promise overwhelming possibilities that could inspire adventurous utopias with unexpected perspectives. On the other, automated design through algorithms and artificial intelligence (combined with the challenges and trend towards home workplaces and virtual collaboration) curbs both our professional presence and our universal vision. At the same time, acquisitions and unifications between architectural firms, contractors, and engineering firms are on the rise. Here, recent demands tend to require documentation of all the technical, scientific, sociological and environmental aspects of architecture - as if we were aiming for an architecture of spreadsheets.
How do we today maintain Architecture as an art not flooded with economic thinking, but developed through new ideas and experiments?
The aim of this competition is to revitalize the notion of “Utopia” in architecture. Modernism was, in some ways utopic, born from and driven by visions for a future not yet possible. It was also a future that mostly turned out differently, with countless new and overwhelming potentials both promising and frightening. One can miss the magnificent, utopian reveries of the 18th century and the modernist visions of early Soviet architecture. They held dreams of adventurous futures, things that could not yet and might never take place. Things that would change our lives and our worldview.
This competition calls for architectural, utopian visions. Ideas that, with artistic and poetic power, can inspire a new dimension and a new quality in architecture are sought.
The foundation awarded Danish architecture firm Leth & Gori on the occasion of the late founder's birthday.
Leth & Gori was founded in 2007 and their work centers around site-specific projects that address both the urban scale and individual buildings.
“The studio range far in its work, and in reality Leth & Gori is much more than a traditional architecture studio due to their particular way of working with architecture,” says Simon Ingvartsen, Design Director at Henning Larsen and jury member, about the motivation behind this year’s winners.
Alongside building up the internationally acclaimed studio, the two architects have also run “Absalongsgade 21B”, a gallery and exhibition space in Copenhagen, since 2011. Additionally, both teach at the Architecture School at the Royal Danish Academy of Fine Arts.
“The many ways in which Leth & Gori work with architecture; as practicing architects, curators, communicators and teachers, testifies to an understanding of and perspective on the role of the architect as one whose main purpose is to create generous spaces for people and for something, and where architecture as a medium is unrestricted,” says Simon Ingvartsen.
“In the Henning Larsen Foundation, we haven’t been able to ignore the similarities between Leth & Gori and the practices of Henning Larsen himself; running a studio, a gallery (SKALA) and teaching,” added Ingvartsen. In a time where specialization and growth are in demand, but, unfortunately, also contributes to creating distance between practice, teaching, research and communication, the breadth and curiosity from which Leth & Gori’s work take its departure serve as inspiration for many, which the foundation wishes to honor and appreciation through this year’s award.”
Read the full news story here.
The Henning Larsen Foundation has, over the years, recognized many great talents in design and architecture.
2019
Josephine Michau, CAFx, Copenhagen Architecture Festival
2018
Norrøn, Architects
2017
International Competition about Architecture and Music
1st Prize: Cristian Vogle: "The Bell Tower Seed"
2nd Prize: Jakob Draminsky Højmark: "Yakushiji III"
3rd Prize: Henrik José: "Swirley Bokeh"
Listen to the compositions
2016
Architect Bente Lange
Praksis Architects, Mette Tony and Mads Bjørn Hansen
2015
International Competition about Architecture and Film
1st Prize: Cole Phoenix
2nd Prize: Sam Renseiw
3rd Prize: Barbara Bohr and Agapi Triantafillidis
2014
Architect Johnny Svendborg
Architect Merete Lind Mikkelsen
2013
Architect Mette Lange
Landscape architect Marianne Levinsen
Architect Hans Peter Hagens
2012
International Competition for Writing about Architecture
1st Prize: Nathan Romero Muelas
2nd Prize: Daniel Persson
3rd Prize: Sanne Flyvbjerg
3rd Prize: Mette Marie Kallehauge
3rd Prize: Tinne Delfs
2011
Journalist Henrik Sten Møller
Architect Kjeld Kjeldsen
2010
Architectural photographer Jens Lindhe
2009
Architect Theo Berg
2008
International Competition about Drawing Architecture
1st Prize: Robert Müller, Austria
2nd Prize: Julian Busch, Germany
3rd Prize: Julie Huang Jahn, Denmark
3rd Prize: Barnabas Wetton and Chris Thurlbourne, Denmark
3rd Prize: Clemens Helmke and Dorothée Billard, Germany
2007
International Competition for Photographing Architecture
No 1st Prize winner
2nd Prize: Michael Stefan Rathje-Sørensen, Denmark
2nd Prize: Ditz Fejer, Austria
3rd Prize: Nils Lund Pedersen, Denmark
Honorary mention: Lars Gundersen, Denmark
Honorary mention: Casper Balslev and Mads Nissen, Denmark
2006
Artist Jytte Rex
2005
Studio Force4: Andreas Lauesen, Christian Dalsdorf, Maja Asaa and Mikala Holme Samsøe
2004
Studio Kollision: Andreas Lykke-Olesen, Tobias Løssing and Rune Nielsen
Architect Kent Martinussen
Film director Nils Vest
2003
Architect Julien De Smedt
2002
Architect Dorte Mandrup-Poulsen
Architect Merete Ahnfeldt-Mollerup
2001
Architect Bjarke Ingels